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Bloody Beetroots and Steve Aoki’s New Noise: A Zippy Review and Analysis

New Noise is a song by Swedish hardcore punk band Refused, released in 1998 as the first single from their album The Shape of Punk to Come. The song is considered one of the most influential and revolutionary songs in the history of punk rock, as it combines elements of hardcore, metal, techno and jazz, creating a new and unique sound that challenged the conventions and boundaries of the genre.

In 2010, Italian electronic music duo Bloody Beetroots and American DJ and producer Steve Aoki released a remix of New Noise, featuring vocals from Refused’s singer Dennis Lyxzén. The remix was released as a single and also included in Bloody Beetroots’ second album Hide. The remix is a zippy and energetic version of the original song, adding electro house beats, synths and effects, while preserving the raw and aggressive vocals and guitars.

In this article, we will review and analyze Bloody Beetroots and Steve Aoki’s New Noise, looking at its musical structure, lyrics, message and impact. We will also compare it with the original version by Refused, and see how the remix pays homage to and updates the classic punk anthem.

The musical structure of Bloody Beetroots and Steve Aoki’s New Noise

Bloody Beetroots and Steve Aoki’s New Noise remix follows a similar musical structure to the original version by Refused, but with some modifications and additions. The remix has a length of 2:23 minutes, while the original has a length of 5:08 minutes. The remix also has a faster tempo of 130 beats per minute (BPM), while the original has a tempo of 120 BPM.

The remix consists of four main sections: intro, verse, chorus and outro. The intro starts with a distorted guitar riff that plays the main melody of the song, followed by a synth that mimics the guitar. The intro lasts for 16 seconds and builds up the tension and anticipation for the rest of the song.

The verse starts with the vocals of Dennis Lyxzén, who sings the first two lines of the original song: “Can I scream? Yeah!”. The verse then continues with a combination of electro house beats, synths and guitars, creating a contrast between the electronic and the organic elements. The verse lasts for 32 seconds and sets up the mood and theme of the song.

The chorus starts with a drop that introduces a new synth melody that plays over the electro house beats. The chorus also features the vocals of Dennis Lyxzén, who sings the hook of the original song: “We dance to all the wrong songs / We enjoy all the wrong moves / We dance to all the wrong songs / We’re not leading”. The chorus lasts for 32 seconds and delivers the main message and energy of the song.

The outro starts with a breakdown that reduces the intensity and volume of the song, leaving only the vocals and some synths. The outro then ends with a final drop that brings back the electro house beats, synths and guitars, along with some samples from the original song. The outro lasts for 32 seconds and concludes the song with a bang.

The lyrics and message of Bloody Beetroots and Steve Aoki’s New Noise

Bloody Beetroots and Steve Aoki’s New Noise remix uses the same lyrics as the original version by Refused, but with some changes and omissions. The remix only includes the first verse and the first chorus of the original song, while the original song has two verses and two choruses. The remix also changes some words and phrases in the lyrics, such as “We’re not leading” instead of “We’re not bragging”, or “We dance to all the wrong songs” instead of “We dance to all the same songs”.

The lyrics of New Noise are a critique of the mainstream culture and society, and a call for rebellion and change. The lyrics express the dissatisfaction and frustration of the singer and his generation with the status quo, and their desire to create a new noise that will challenge and disrupt the existing order. The lyrics also reflect the musical style of the song, which mixes different genres and influences, creating a new and unique sound that defies the norms and expectations of the music industry.

The lyrics of New Noise are also a declaration of identity and purpose for the singer and his generation. The lyrics state that they are not following or conforming to the mainstream culture and society, but rather creating their own culture and society. The lyrics also state that they are not afraid or ashamed of their difference and diversity, but rather proud and confident of their uniqueness and originality. The lyrics also state that they are not passive or silent, but rather active and loud.

The impact and reception of Bloody Beetroots and Steve Aoki’s New Noise

Bloody Beetroots and Steve Aoki’s New Noise remix was released in 2010 as a single and also included in Bloody Beetroots’ second album Hide. The remix was well received by both fans and critics, who praised its creativity, energy and quality. The remix also gained popularity and exposure through various media platforms, such as YouTube, Spotify and Apple Music. The remix also featured in some video games, such as Need for Speed: Hot Pursuit and Forza Horizon 3.

Bloody Beetroots and Steve Aoki’s New Noise remix also had a positive impact on the original version by Refused, which was released in 1998 as the first single from their album The Shape of Punk to Come. The original version was initially overlooked and underrated by the mainstream audience and media, as it was too ahead of its time and too radical for its era. However, the remix introduced the original version to a new and wider audience, who appreciated its innovation, influence and legacy. The original version also gained more recognition and appreciation over time, as it became a cult classic and a landmark in the history of punk rock.

The comparison and contrast of Bloody Beetroots and Steve Aoki’s New Noise and the original version by Refused

Bloody Beetroots and Steve Aoki’s New Noise remix and the original version by Refused are both great songs that have their own strengths and weaknesses. They are both similar and different in various aspects, such as musical style, lyrics, message and impact. Here are some of the similarities and differences between the two versions:

• Similarities: Both versions are based on the same song, New Noise by Refused. Both versions have the same lyrics, but with some changes and omissions. Both versions have the same musical structure, but with some modifications and additions. Both versions have the same theme and message, which is a critique of the mainstream culture and society, and a call for rebellion and change.
• Differences: The remix has a faster tempo, a shorter length and a more electronic sound than the original version. The remix also has more synths, effects and samples than the original version. The remix also has a more upbeat, energetic and danceable mood than the original version. The original version has a slower tempo, a longer length and a more organic sound than the remix. The original version also has more guitars, drums and vocals than the remix. The original version also has a more raw, aggressive and rebellious mood than the remix.

Bloody Beetroots and Steve Aoki’s New Noise remix and the original version by Refused are both amazing songs that deserve respect and appreciation. They are both faithful and respectful to each other, while also adding their own flavor and twist to the song. They are both examples of how music can be innovative, influential and timeless.

Conclusion

Bloody Beetroots and Steve Aoki’s New Noise remix is a zippy and energetic version of the original song by Refused, which is a classic and revolutionary punk anthem. The remix pays homage to and updates the original song, while also creating its own identity and style. The remix has a great musical structure, lyrics, message and impact. The remix also has a positive effect on the original song, which is also a great song with its own musical structure, lyrics, message and impact. The remix and the original song are both similar and different in various aspects, such as musical style, mood and reception. They are both examples of how music can be creative, influential and timeless.

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